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bienenkiste:

“She comes in colors everywhere”. Photographed by Marcus Palmqvist for Lula #6 Spring 2008

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“Swan”  Patricia van der Vliet photographed by Sofia Sanchez & Mauro MongielloNumero magazineMiu Miu S/S 2010

“Swan”
Patricia van der Vliet photographed by Sofia Sanchez & Mauro Mongiello
Numero magazine
Miu Miu S/S 2010

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We are not taught that we matter as a person; we are taught that we are but a number, a GPA. As that number changes with the addition of grade after grade, we associate that fluctuation with how successful we are and our character. My character is not defined as an A, B, C, D, or even an F. What happened to the days when we learned about the character traits in elementary school? Each month belonged to a different character trait to learn about and that taught kids how to be good, wholesome people. Then we tore down the mindset we had built up since birth and replaced those character traits with letters and numbers which became measures of definition.

College is a scam because it is an institution that was created to continue this mindset and prepare students for the real world. Well, news flash: the world doesn’t work this way. Rather the world is more connected to the character traits we learned in elementary school. I can guarantee that perseverance, integrity, and responsibility will get you much further in life than a handful of As will. College has been a good experience for me so far because I have grown as a person and am learning a lot about myself. I’m not saying that no one should go to college. What I am saying is that college should not be seen as just the next step after high school. College is meant to serve a purpose in continuing education and it no longer does that effectively because people do not go for this reason anymore. People in today’s society go to college, take classes in subjects we’ll never need and pay tuition for a piece of paper that, many times, is virtually meaningless. What do I want to be when I grow up? I have no idea. But here’s to figuring it out, and I’m sure as hell not going to figure it out in Calculus. So I’ll take that F and I’ll raise you some courage and respect.

Why College Is A Scam for Thought Catalog
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Jenny Jokela photographed by Dvora / British Vogue

Jenny Jokela photographed by Dvora / British Vogue

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several life updates:

+visited all my favorite shops in baltimore before going home, it’s strange how everything starts to seem charming just as you’re about to leave
+my room was completely empty and filled with sunlight 
+as unhappy as i was with the university, i truly am going to miss some people i met in the city 
+finally got to see gatsby and really loved it. even though it is my favorite book, it is better not to go see the film with any expectations (after all, who can do one of the most celebrated books any justice?) the person i went to see it said something really fitting about the film and that was that it fills you with a feeling of anger and sadness, and that’s exactly what it did. after seeing it, we were both left with a very empty feeling that we couldn’t shake off
+was accepted to nyu again and am trying not to think about it too much so i do not get my hopes up when i hear about finances

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Midnight City by M83

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meiselblondes:



Magdalena Frackowiak backstage at Christian Dior Haute Couture F/W 2009

meiselblondes:

Magdalena Frackowiak backstage at Christian Dior Haute Couture F/W 2009

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Accepted to NYU (again), now about the money…

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Carey Mulligan at 2013 Cannes Film Festival

Carey Mulligan at 2013 Cannes Film Festival

(Source: gifthescreen)

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I Always Knew by The Vaccines

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“Swan”  Patricia van der Vliet photographed by Sofia Sanchez & Mauro MongielloNumero magazine

“Swan”
Patricia van der Vliet photographed by Sofia Sanchez & Mauro Mongiello
Numero magazine

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Stray Cat Strut:
“Grace Coddington Illustrates Her Ideal Punk Met Gala Looks … on Cats”
Vogue

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Port of Morrow by The Shins

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“What Now, Xiao?” Xiao Wen Ju and Lindsey Wixon photographed by Matt Irwin Style.com/Print #4 Fall 2013

“What Now, Xiao?”
Xiao Wen Ju and Lindsey Wixon photographed by Matt Irwin
Style.com/Print #4 Fall 2013

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The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me.

If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.


Nicole Krauss, The History of Love

(Source: commovente)

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